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Letter from New Orleans

Thinking about it now, I pause to think about the ramifications of moving from one new place to another over the past five years—from New York to New Haven and now to New Orleans. After years of banging around various locales in and around New York City, it wasn't too long after I moved to the Elm that I was schooled by two locals on the question of emphasis when it comes to how you actually pronounce New Haven. New Yorkers, it seems, tend to put the emphasis on the NEW! and not the York. "I live in New York, not to be confused with Old York." But here, as Ideat Village impresarios Bill Saunders and Nancy Shea counseled one night, repeatedly, the emphasis, generally speaking, is on the Haven. Not NEW! Haven but New HAAAY-VEN. After awhile I got it; you want to linger on the Haven a good long while, since it is a town that will grow on you. So I started emphasizing the Haven part of New Haven and was therefore able to live here for over four years. When it comes to New Orleans, hey, I'm having a hard enough time pronouncing some of these street names without worrying too much about where the emphasis ought to lie. Post-Katrina you could argue for NEW! Orleans, but that sounds like Chamber of Commerce-approved marketing of the most vanilla-cynical variety. Besides, the blessed and endemic lassitude of the Big Easy begs for a lingering over the Orleans. On the other hand, from a fact-checking point of view, there is an Orleans with which one can make a differentiation. So I have been worrying about it, but not too much.

The other day I was walking in the Marigny neighborhood of New Orleans, which, I have learned, is not pronounced “ma-RIG-knee,” and came upon one of those those Volvo sub-wagons you see in every town, festooned with an abundance of bumper stickers citing various locales, pols and causes. Amid the Hillary! Stop War! and Peace is Patriotic stickers was one trumpeting the glories of . . . New Haven!—complete with an accompanying icon, a slice of pizza. The nudgenik in me thought, "Hey, that's wrong! None of the legendary places in town sells pizza by the slice! Outrages!"

But seeing that bumper sticker, indeed the whole trove of them, did evoke yet another question of where to put one's emphasis, this time when it comes to the old canard, "Everything in moderation." It's one on the great cautionary aphorisms of all time, but that's only because most of us put the emphasis on the moderation. Embedded within lies the stunning and deeply gratifying notion that if you can swing the moderation, you can have everything!

And so there we were, the winter of 2008, myself and Bill and Nancy, and the writer Todd Lyon. By then I knew how to tell people I lived in New Haaaay-ven and it had stopped bothering me that my friends from New York would always want to know how I was enjoying Hartford. In any case, we had an agenda. Oh, such a one as it was! We would hit four pizzerias in one night. We'd start at Zuppardi's in West Haven, get the double-dose at Sally's and Pepe's, and then grab a capper pie at Modern.

A slice here, a slice there, no gastro-problems would ensue if we paced ourselves; that was the plan. Alas. Immoderation won out in Wooster Square and we never made it to Modern. As for BAR, we kept it off the list. Too new, relatively speaking, to qualify for the tour.

Summary Observations: The Movie

Aside from intellectual property attorneys, who really knows where to get good movie ideas? Julie & Julia, due in theaters this August, is Nora Ephron's movie of Julie Powell's memoir (originally a blog) of the year she devoted to making every recipe in Julia Child's famous cookbook, Mastering the Art of French Cooking. Starring Amy Adams as Powell and Meryl Streep as Child, it is said to be the first wide-release movie developed from a book developed from a blog developed from a cookbook. And it just goes to show that potential entertainment properties are lurking everywhere. What most interests me, though, is its implied confidence in the supremacy of storytelling. If this film succeeds, it might inaugurate a whole new cinematic subgenre of movies dramatizing the doing of things described in instructional books.

Is an adaptation of Harold Bloom's How to Read and Why finally at hand? If so, what would it require? Perhaps the enterprising screenwriter might invent some twenty-something everyman, poised on the brink of self-actualization, and cross cut his intellectual development with telling formative vignettes from the life of Bloom?

Already I can picture our young, book-addled hero, sitting in an uncomfortable chair and contemplating “the vagaries of our current counter-Puritanism,” with the camera swirling and the music swelling around him; or standing by his apartment window, gazing out into the dusk and bearing in mind that “Irony will clear your mind of the cant of the ideologues, and help you to blaze forth as the scholar of one candle.” It began with Jason Schwartzman in contention for the part, but now I’m seeing Michael Cera.

So OK, it’s looking like this will be a Ron Howard picture, dumbed down just enough for mainstream safety and perhaps controversial in its casting of Tom Bosley as Bloom (certain members of the blogorati having lobbied in vain for Martin Landau). A box-office success? Maybe. An Oscar magnet? Well, sure, as long as it gets across the notion that “We read not only because we cannot know enough people, but because friendship is so vulnerable, so likely to diminish or disappear, overcome by space, time, imperfect sympathies, and all the sorrows of familial and passional life.”

And if that doesn’t work out, there must still be a good movie to be made from How to Complain for Fun & Profit: The Best Guide Ever to Writing Complaint Letters, by Bruce Silverman. Or at least from The Garden Primer, by Barbara Damrosch.

Secrets of a Publishing Addict

I like to tell this story, having told it many times before. Sitting at home, I receive a call from a friend asking if I had seen that week's copy of , for which she then worked.

"No, I haven't. Why?"

"Well, there's an interesting article about this guy who started a local book review, like the one you and I thought about doing years ago."

And, lo and behold, so it was. Where I no more than dreamt, another made happen. Thus was the born. Fortunately, for me, its was also a fellow member. So when he entered the lobby doors, child and stroller in hand, I approached him.

"I saw the article about the New Haven Review of Books. I'd like to help."

"Oh, that's great," he replied. "Do you write?"

Do I write? That was a tough one, actually. "Sure, I write a little, but I'd rather be your publisher"—if you'll have me—I thought parenthetically. I had served as the publisher of a Jewish literary journal in graduate school and I wanted to return to that more distinctly literary scene after years in .

"Our publisher? You mean like sales and marketing and stuff like that…"

"Yes, stuff like that."

"Great! No one else wants to do that!"

Thus was a partnership born, and I was joined at the literary hip to an editorial collective of individuals wiser and more talented than myself—and with infinitely better connections, too.

But this was all fine by me. I like the business of publishing, from handling the filthy lucre to freaking out over missing a print deadline. True that in this endeavor I would have less occasion for the give and take of reading and responding to the lucubrations of the published and hoping-to-be-published. But would it be all too sickening to admit that I like fiddling with our circulation database, hounding subscribers for renewals, holding out my greasy palm for potential contributions, even filling out the occasional nasty legal form? Probably, but what can I say? I love it.

Publishing, for me, is in the blood—all aspects of it, from correcting misplaced commas to panhandling in the street for new readers.

So, ready to subscribe?

Issue 3 Available Now

We are delighted to inform you that Issue 3 of the New Haven Review, featuring essays, fiction, poetry, and photographs from Jim Knipfel, Jess Row, Willard Spiegelman, George Witte, Stephen Ornes, Ian Ganassi, Nick Antosca, Joy Ladin, and Desirea Rodgers is available now. We'll have the entire issue online shortly, but if you'd like to have the actual journal in your hands—which, designed by Nicholas Rock, is truly a thing of beauty—please contact us. We'd love to hear from you. And thanks once again to all our contributors, subscribers, and supporters for making this possible. Brian Francis Slattery is an editor of the New Haven Review.

NHR party/Palin poetry/NHR author signed to Pantheon

First things first: the issue #3 launch party will be at Labyrinth Books, 290 York Street, New Haven, from 6pm to 8pm. Please come! Second, we are thrilled that after we wrote about essayist an undiscovered literary treasure, an agent on our email list contacted him, they got together, and now he has a two-book deal with Pantheon. Congratulations! (And glad we could help.)

Finally, a couple weeks back, we put out the call for poems about Sarah Palin. We just had a hunch that out there, somewhere, somebody had decided that Sarah Palin merited verse. A lot of great poems came in, but the sure winner, for dedication if not for quality, has to be the blogger at who in the past few weeks has turned her (why are we so sure it's a “her”? we could be wrong) blog over to the versified crucifixion of Alaska's leading

Review Hiatus Continues; Dispatches in America

As the above title suggests, the New Haven Review's hiatus continues. In the meantime, we commend to your attention John Stoehr's of Dispatches in America, the first issue released by Dispatches, a quarterly journal and concern with a fascinating and . May we hear much more about Dispatches as it progresses. is an editor of the New Haven Review.

Review Hiatus; Summer Book Group This Wednesday

The New Haven Review's August hiatus from reviews begins this week as we line up website reviews for the fall and edit Issue 3 of the print edition, which will appear in November. (Yes, we hope to throw another party. We can't help ourselves.) We would also like to remind New Haven-area readers that our final meeting at is this Wednesday at 6 p.m.; New Haven Review contributor Steven Stoll will discuss David Harvey's . For those unfamiliar with the term, neoliberalism is the catchall phrase for the dominant economic ideology of our time — liberalized capitalism — and the various political and social policies associated with it that have changed the world in profound ways. As the ideology is championed, reviled, elided, and misunderstood in nearly equal measure, a discussion of neoliberalism should be about as lively as discussions get. As always, Labyrinth provides the wine and cheese. See you there!

is an editor of the New Haven Review.

New Haven Review Summer Vacation

In deference to Independence Day, the New Haven Review has taken this Monday off. It will also take off the Mondays in August, as we know that nearly everyone — well, everyone in publishing, anyway — goes on vacation; and even if they don't, nobody wants to be inside, hunched over a computer, when they could be outside, on the beach, drinking a gin-and-tonic from what is ostensibly a water bottle while three children nearby bury their father up to his neck in the sand. But we will be back next week with more reviews and will resume again, full throttle, in September. Meanwhile, Issue 3 of the New Haven Review, due out in the fall, is shaping up to be a doozy. We have an essay from Jim Knipfel, a piece from Willard Spiegelman (editor of the Southwest Review), an excerpt from Jess Row's new novel, an interview with David Orr, and numerous other essays, poetry, and fiction from people you may not have heard of yet, but will soon. Stay tuned.

Thanks, New York Times!

If you're here because you've followed the from Rachel Donadio's generous mention of us (thanks!) in the New York Times blog , welcome. Please have a look around. Our weekly reviews appear right here on this page; you can find the contents of the print editions .

Despite our fondness for the Greater New Haven area, we really are interested in submissions from anywhere. So if you have an idea, for the print edition or the website, do write us. We'd love to hear from you. And thanks for reading.

is an editor for the New Haven Review.

Thanks, New Haven Register...

...and Donna Doherty specifically for the generous of our publication that appeared in today's paper. The actual physical newspaper included this snazzy photo of editor Mark Oppenheimer, publisher Bennett Lovett-Graff, and Mark's daughter Rebekah in dramatic lighting:



Mark, Bennett, and Rebekah


What the article says is all true too. So, Greater New Haveners: If you're interested in submitting, we're looking forward to hearing from you. If you're interested in subscribing, we thank you in advance. And if you're just here to read what we've published and posted so far, welcome. Take your time and have a look around. We hope you like what you see.

is an editor of the New Haven Review.

Thank you, Stranger

If you're here because of the lovely about the New Haven Review by Paul Constant at The Stranger, thanks for coming by. Mr. Constant is the books editor at Seattle's only newspaper, and we're delighted by his enthusiasm. We only hope that we can live up to his expectations. Retroactively, we also owe a great deal of thanks to John Stoehr, arts editor at the Charleston City Paper, first for an engaging and generous that mentioned us back in August 2007, when we released our first issue, and then for another mention in January in a about the future of newspapers. Many people visited our old website (now defunct, happily) due to him.

So thank you both, Mr. Constant and Mr. Stoehr, and welcome to all of you who came by on their advice. Look for our next review, coming in just a few days. Meanwhile, we're currently copyediting the print edition (Issue 2) and preparing to send it to the printer. It should be out in early May. Then we party. Then we do it all again.

is an editor of the New Haven Review.

Thanks, National Book Critics Circle

We just got a nice shout-out from the blog of the National Book Critics Circle. If that's what brings you here, then welcome. It’s true: in addition to our print version, published twice annually, we’ll be posting reviews of unfairly neglected books on our website. A couple things: 1) By “neglected,” that doesn’t mean Walter Kirn dissed the book in the Times and nobody else reviewed it. It means the book was missed by the Times, The New York Review, Washington Post Book World, etc., etc. As in, nobody’s heard of the book. In our hopper we have one review of a book also reviewed in The Nation, but it’s a book of poetry, so our hearts went out to it. 2) If you want to get in touch with us, navigate around our site at left—you’ll find a mailing address and emails. 3) A small correction to the NBCC post: we’ll be running one review every Monday, not four. They got confused because there are four up right now (see below). But those were posted over a period of four weeks. In time, we may begin posting more than once a week. Meantime, we are looking to put up an RSS feed, so you can just get yourselves a little helping of neglected-book-review to start your week every Monday.

Thanks.

is an editor of the New Haven Review.